Showing posts with label Feckless Liberal Jan. Show all posts
Showing posts with label Feckless Liberal Jan. Show all posts

Saturday, July 25, 2026

The Mystery Business(TM) Era; Part 18: Captain Mitty Does His Duty, And The Feckless Liberal Learns A Lesson.

Zed's Iraq tour was the first true Captain Mitty storyline, but it must be pointed out that he is largely out of focus for it--an important background detail of the storyline, one who allows the entire thing to happen, but not the main character. No, that is Jan, filling the old propaganda role of the skeptical liberal journalist who comes to realize just how vital this war is, how evil our opponents are, and how dedicated our troops are. 

I noted last time that this was accomplished with a  handwave--Jan's father just fixes it, because he can, that's what he does--but I really should zoom in on how forced all this is. While a weak explanation is made of Jan doing this to support Zed, there's very little explanation of how this does this, precisely, and again, once they're over there, Jan largely winds up doing her own thing and having troops tell her that everything she knows is wrong. It's quite clear from a textual standpoint that Jan is in Iraq because she's the sort of character you need over there, and Muir's explanations of the hows and whys are flimsy. For that matter, Jan's storyline is fairly bland. She meets interchangeable troops who are all happy to be there, and annoyed at the perfidious liberals insisting that they aren't. She sees it demonstrated that the native Iraqis are being treated well by them, and in no danger from them. She discovers that local insurgents are vile scum not worthy of her regard. And she discovers the United States press are nakedly biased and laughably incompetent. In essence, everything that Muir had been stating was the case prior to the storyline is confirmed to be exactly correct during it.

Saying this was a tone-deaf and deluded take doesn't cover it. After all, even Muir seems to regard his Iraq War boosterism with a certain level of embarrassment these days, even if it's with the usual qualifiers and avoidance of any real introspection that you'd expect from him. But remember, Muir was writing this in 2007, the year where the occupation truly unraveled.  Muir wrote of a deluded press misleading the American public about what was a massive success just as that press began to produce stories that showed that things were going worse than all but the most skeptical of critics had imagined.

And so, by itself, the main storyline was just a dull, mendacious propaganda piece that was flimsily constructed and monumentally ill-timed. Even Jan's move rightwards was simply Muir doing what he'd been doing prior. No, the importance here lies largely in two areas. One obviously is Zed's continuing move towards becoming the Captain Mitty he is today, which we do see throughout the tale. But more importantly, Muir was about to add a new character, one who would stick and be a significant part of the Transition Era and the early portions of the Compound Era. The exceptionally odd figure who is... Naomi.

Saturday, June 13, 2026

The Mystery Business(TM) Era; Part 12: One Of The Worst 'Will-They-Won't-They' Plotlines Ever Depicted Resolves. Terribly.

And so, onto the next part of the Character Assassination of the Liberal Stooge Jan by the Hack Chris Muir. As I've noted previously, the idea that Jan and Damon had this incredible romantic chemistry is something Muir kept tossing out there throughout the Early Period. It wasn't true, but he very much thought it was, hence years of strips where he kept treating Damon's either belittling Jan or acting like a disgusting horndog towards her as some sort of romantic appeal. But with the start of the Late Period, he really stepped it up. Over a series of storylines, starting with the 'Damon quits because Pepsi said mean things about Bush!' one I mentioned in the last installment, Muir gradually hooked up the pair.

The definitive plot where it happened was one where Damon's house got seized and demolished by Florida for eminent domain purposes without any warning--Muir really hates eminent domain--Jan offered to let him stay with her, and, well, that was that. Just as Sam and Zed just sort of were a couple, all at once, Jan and Damon wound up one, and again, that was that.

It's astonishing, really, how little mileage Muir got out of something that he clearly imagined was providing a major plotline. No romantic false leads. No breakups followed by reconciliations. As usual, things just sort of happened, while keeping things almost completely within the tiny little cast he'd provided for the strip. Muir can't write romance for the same reason he can't write anything--there's something in him that just hates having bad things happen to his cast. Damon and Jan wound up another example of what is the typical DbD couple, devoid of any real conflict in their relationship, and with no real chemistry, despite their creator being convinced they possessed oodles of it.

What was worse was what a nasty, dysfunctional dynamic he gave to the pair. Prior to hooking up with Jan, Damon had either been dismissive of her, or had been making passes at her, and afterwards... well, he still was, only now when the second happened, Jan just sort of went along with it. And while she would still fight back against the first, it was generally less and less in the manner of someone who genuinely believed what she was saying and more as someone putting in a token effort. Jan's behavior over this and well, the early stages of the Transition Era, are what caused me to start referring to Muir's cast as 'the hivemind', to symbolize how not only are they all Muir using sock puppets, but for the way that main cast members who are initially shown having distinct opinions are usually warped into just another such puppet in something that feels like it slipped in from a Body Snatchers movie. But Jan's case, well, it's extra unpleasant. Because with her, it has the genuine feel of an abusive relationship, a significant other browbeating and gaslighting their partner until they wind up just echoing their opinions back to them.

In time, Jan's original personality would completely collapse, leaving her without any function in the strip save to show up and agree with Damon. But that would take a while. We would still get many years of watching her and Damon's relationship drag on in that very unpleasant manner I mentioned.

Saturday, May 2, 2026

The Mystery Business(TM) Era; Part 6: The Liberal Stooge.

 And now we wrap up that little cast with the other primarily political character, Jan, who, in the Early Period, sits in a strange relation with her fellows. For a start, Sam, Zed and Damon all have jobs in Mystery Business(TM)'s technical areas--even though it should be noted Damon's isn't ever named in strip, but still, that he is involved in that is made reasonably clear. Jan however, is in Marketing, something that she will yammer about in place of a personality trait well after Mystery Business(TM) is shuttered. This puts a clear line between her and the rest--they all do something tangible in... whatever it is Mystery Business(TM) does, while Jan... well, theoretically, she's supposed to be helping to sell it, though I'm not sure Muir gets that. But more importantly, she's doing something abstract that Muir clearly sees as meaningless busy work. Indeed, Jan's exact position in Mystery Business(TM) is somehow more nebulous than Damon's unnamed one--frequently, she's depicted as holding some level of authority over the others, to allow her to perform the beats a "boss" character would. This makes no sense, but so it goes. All of it is ultimately about setting Jan up for her purpose in the political portion of the strip--being the lone "liberal" member of the cast.

Jan's general purpose at this point in the strip is to be a comic straight man, and a very specific sort of one. She's not an occasionally witty voice of sanity observing and commenting on the lunacy surrounding her. She's a stooge. Jan says stupid things and asks stupid questions so the others can riff of her. You don't laugh with this Jan, you laugh at her. Early Period Jan is a pill. At her best, she's sheltered and naive, the perfect gull who still confident she is so much smarter than you. At her worst, she is shallow and self-righteous, constantly demanding attention and validation.  Hence the job that Muir largely paints as useless and also manipulative. Everything about Jan at this point is supposed to underline her status as someone who's the butt of the joke, and just wrong.

Now, Muir does not do a good job of this. A problem that has been with him from the start is that his own opinions are, well, shallow and ill-considered, so to a reader not predisposed to simply nod along, Jan doesn't come across an idiot arguing with sensible people, she comes across as an idiot arguing with worse idiots. Jan is portrayed not as some well-reasoned statement against liberalism, but as a caricature of and snarl against "Vaguely Leftish Coffee-house Types Who The Writer Resents", She is, to Muir, a Spoiled Well-to-Do White Girl, talking about things she doesn't understand.

Now this will change in the future. Indeed, this version of Jan will be largely discarded not only in future Eras, but over the course of the Late Mystery Business(TM) Period. But at this point, she tends to stay in her lane. Jan's job is to be zinged off of, and zinged off she is.

With very bad zingers.

Tuesday, February 18, 2020

"Just Let Me Belittle You, Hon!"

It's the Day's Day of Days! Because all drinks must have a cap.

I'm hoping Damon's obnoxiousness kills this potentially awful plotline stone-dead.

But not much, because Muir does like having Javier pull out magic inventions when he's running low on ideas.

Monday, November 5, 2018

It's Wacky Paranoia!

It's the Day's Day of Days!  Because time cast on spell you that you won't forget me.

...

Why does Jan stay friends with these people again?

Oh, right, hivemind.

Sunday, May 13, 2018

Monday, January 22, 2018

"This Is Their Fault! THEIR FAULT!"

It's the Day's Day of Days!  Because imperative.

Astonishing how it always turns out to be "the Democrats support slavery", in'it?  Not wanting to deport children and productive Americans?  SLAVERY!  Not wanting to put minorities in prison en masse? SLAVERY!  At this point, it's clear "slavery" to Muir means anything but things that actually resemble slavery.

Thursday, September 7, 2017

"These Things Are Exactly Alike!"

It's the Day's Day of Days!   Because fire extinguisher.

...

That argument didn't fail logic, it ran screaming in the opposite direction.

Tuesday, May 2, 2017

Monday, July 11, 2016

Thursday, April 14, 2016

"Guns Just Make Everything Better!"

It's the Day's Day of Days!  Because gelato.

As Jan harks back to the days when she was not of the hive mind, and Sam attempts the stupidest pro-gun argument ever, we once again wallow in the strange intersection of sex and violence that is Muir's love of artillery...

Saturday, January 16, 2016

"Comparing A Black Man To A Monkey Is Pretty Racist, Damon. Shitty Rhetorical Tricks Don't Make It Not Racist."

It's the Day's Day of Days!  Because roly-poly.

And of course, Muir puts what he imagines is a brilliant display of wit--in the mouth of his Imaginary Black friend.

Because, you know, Muir wants everyone to realize he's not racist.  Not a bit.  Nope.

Friday, December 4, 2015

"Cause That's What It's About! Violent Revolutions If We Get Mad!"

It's the Day's Day of Days! Because those annoying cheesehead hats.

Astonishing that these supposed bastions of armed liberation never seem to use their guns for anything like that.

Well, except that one time they did and it didn't go very well...

Monday, July 27, 2015

"As Opposed To The GOP's Incredible Range Of Candidates!"

It's the Day's Day of Days!  Because Book Page.

Once again, Muir uses his fake liberal to declare that she knows liberalism sucks, and is utterly not worth the effort.

It's like he's not even trying these days.

Monday, July 13, 2015